David Bushman

Curator, Television

December 3, 2008

Barnabas Collins, True Blood-Sucker

by David Bushman

True Blood's Stephen Moyer and Twilight's Edward Cullen may be the vampires of the moment, but if you ask me, no blood-sucking Nosferatu will ever hold a candle to the great Barnabas Collins, epicenter of the daytime soap Dark Shadows, which revolutionized/supernaturalized the genre in the sixties, casting a spell over hordes of young viewers. And if you don't believe me, you can ask Johnny Depp, who reportedly has been obsessed with the show since childhood, and whose production company is planning a theatrical film version, with Depp in the Barnabas role.

Born in the late 18th century, Barnabas (portrayed by Jonathan Frid) came from a family so rich and powerful that their entire seaside Maine town, Collinsport, was named after them. (Come to think of it, he reminds me of another scion from a privileged Maine family known to have committed a youthful transgression or two that he would come to regret, even if he did grow up to become president of the United States.) In Barnabas's case, the infraction was an impetuous dalliance with an exotic blonde maidservant named Angelique (so cool she needed only a single moniker, like Madonna and Beyonce), even as he was engaged to the Martinique heiress Josette du Pres.

Realizing Josette was his true love, Barnabas tried to end the affair with Angelique, with tragic results: Angelique, revealed as a witch, exacts revenge by inflicting Barnabas and his loved ones with a series of devastating curses, until Barnabas finally loses patience with the wench and shoots her dead (or so he thinks, as it's hard to keep a good witch down, especially on a daytime soap). Gasping for life, Angelique summoned a vampire bat from hell, who takes a nip out of Barnabas, cursing him to eternal damnation.

As a vampire, Barnabas could be a real son of a bitch—threatening people, kidnapping/imprisoning the women he covets, being really, really mean to the hired help—but at least he was a conflicted son of a bitch. Barnabas was a tortured soul decades before anyone even heard of Angel. Like all card-carrying vampires, he was an incurable romantic—after all, it was passion that got him into this mess to begin with. His taste in women was impeccable: in 1960s Collinsport, after being released from his 170-year-slumber by a poor schlub named Willie Loomis (John Karlen), he's constantly falling for the hottest babes, like sassy waitress Maggie Evans (Kathryn Leigh Scott) and virginal governess Victoria Winters (Alexandra Moltke), always oblivious to matronly Dr. Julia Hoffman's (Grayson Hall) wicked crush on him.  

Curiously, one thing Barnabas never was was scary—how can you fear a vampire who's forever muffing his lines and who was once caught tiptoeing across the set carrying his black shoes as the end credits rolled? But he was bad, and what self-respecting youth wouldn't find that appealing, especially during the sixties?

Interestingly enough, I've twice moderated Dark Shadows-related public events at the Paley Center: one, in 2001, was a reunion of the show's cast and creative teams; the other, in 2004, was a tribute to Dark Shadows creator Dan Curtis. Unfortunately, Frid couldn't make either one. However, I refuse to give up. How's this for a dream panel: Frid and Depp side by side by side with Barnabas.

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  • As one who has seen the DS series at least three times all the way through, I am an fan, but I have to tell you that True Blood is a modern day DS. Many have compared Barnabas to Bill Compton. I honestly think that the True Blood story is much more compelling and interesting, but just as fun.


    Lynnpd99, February 19, 2009 at 7:43 pm

  • David -- Thank you so much for putting together the DS Panel at the Paleyfest. I am a longtime DS fan, and I have a great collectible -- a DS poster that has been signed by most of the great contributors to DS -- Frid, Lara Parker, David Selby, Joan Bennett, etc. I brought it to your program because some attendees were people who never come to DS conventions. I remember when the attendees were being introduced and you said "she played the governessness Victoria Winters." The crowd literally gasped, and could not believe that you had gotten Alexandra Moltke! When the program ended, I ran down and yelled for Alexandra and Dan Curtis before they left, and got them to sign the poster. I couldn't get Kate Jackson but I can't thank you enough for those autographs!


    woocane, February 19, 2009 at 1:47 am

  • Longtimer, thanks for your post and insights. We have over 100 installments of "Quiet, Please" in our permanent collection here at the Paley Center, for anyone who wants to experience the frights firsthand. I count myself among the fans of "Dark Shadows," and I'm not at all offended by your comments. But I think the fact that it had so many fans in its time, and continues to even today, even though it WASN'T scary, is an interesting point worth examining. "Dark Shadows," "Buffy," now "Twilight" -- there is something about vampires that resonates very powerfully with the young.


    David, December 17, 2008 at 9:26 am

  • Regarding scary stories in general -- I don't mean to offend the fans of "Dark Shadows" -- in taste there is no argument. Quite by accident I found a very unique radio series that was heard over the Mutual Network during the last decade of radio drama in the U.S. : it was called "Quiet, Please." Quiet, Please, written and produced by Wyllis Cooper, was able to do what "Dark Shadows" couldn't, tap into the listener's imagination to create some very scary effects. Not restricted by the necessity of finding props and designing sets on a very limited budget, Cooper's "Quiet, Please" was unique in that it used the stream of conciousness and the talents of a very underappreciated radio announcer named Ernest Chappell who Cooper gave free rein. In each episode, the central character spoke directly to the audience. One week Chappel could be a plumber, the next week he'd be the angel of Death. Chappel and the radio actors who came could make you believe a lot of things are possible. For example, one week Chappel came on as a man planning to kill his wife on Halloween. His wife is a witch, one of the Salem witches who escaped hanging. Our "hero" met her on a hilltop overlooking Salem, after the trials were over and the village was nearly deserted. She offers to marry him, make him wise, give him eternal youth and wisdom. All he has to do is spend one day a year with her, Halloween. The problem is Candace, that's her name, Candace, is a shape-shifting witch, and our man has to be watchful because she could appear on Halloween as nearly anything. He can restore her to her true form by asking, "Who's that?" Now, there's a small problem. Candace is insanely jealous. Over the century and a half of their marriage Candace has literally destroyed any woman who she thought, sometimes with reason, was "trying to steal her man." Once, she changed one such woman into a red squirrel and saw her devoured by hungry wolves. Cooper knew how to make you believe that. A "Quiet, Please" website lists an audio copy of this story and several others. It is noteworthy as one of the listeners to the original series was a very intense looking kid with dark eyes named Rod Serling and a young man from Ohio who became one of the leading American fantasists, Harlan Ellison.


    Longtimer, December 16, 2008 at 3:28 pm

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About

David Bushman

Curator, Television

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Before joining the Paley Center in 1992, David Bushman was senior television editor of Daily Variety in Los Angeles and weekly Variety in New York. He also served as director of programming at TV Land from 1997 to 1998. He has taught and lectured on TV at numerous institutions, but on only one continent. He may be the only person in the world pining for an E-Z Streets reunion.

Interests:

Noir, Fantasy Baseball, The Pogues, Soccer, Running

Contact

David Bushman
dbushman@paleycenter.org

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